ykantdinoread: gingerinabluebox: stupidfuckingquestions: Daniel Radcliffe on shooting a gay sex scene in Kill Your Darlings Omg, I’ve just watched the show. It was amazing! :) dear daniel radcliffe  pls teach me how to crazy fucking sex kiss pls I CANNOT WAIT TO SEE KILL YOUR DARLINGS AGAIN. Such a good movie. And the gay sex scene in question is really hot, btw.
Zoom Info
ykantdinoread: gingerinabluebox: stupidfuckingquestions: Daniel Radcliffe on shooting a gay sex scene in Kill Your Darlings Omg, I’ve just watched the show. It was amazing! :) dear daniel radcliffe  pls teach me how to crazy fucking sex kiss pls I CANNOT WAIT TO SEE KILL YOUR DARLINGS AGAIN. Such a good movie. And the gay sex scene in question is really hot, btw.
Zoom Info
ykantdinoread: gingerinabluebox: stupidfuckingquestions: Daniel Radcliffe on shooting a gay sex scene in Kill Your Darlings Omg, I’ve just watched the show. It was amazing! :) dear daniel radcliffe  pls teach me how to crazy fucking sex kiss pls I CANNOT WAIT TO SEE KILL YOUR DARLINGS AGAIN. Such a good movie. And the gay sex scene in question is really hot, btw.
Zoom Info
ykantdinoread: gingerinabluebox: stupidfuckingquestions: Daniel Radcliffe on shooting a gay sex scene in Kill Your Darlings Omg, I’ve just watched the show. It was amazing! :) dear daniel radcliffe  pls teach me how to crazy fucking sex kiss pls I CANNOT WAIT TO SEE KILL YOUR DARLINGS AGAIN. Such a good movie. And the gay sex scene in question is really hot, btw.
Zoom Info

ykantdinoread:

gingerinabluebox:

stupidfuckingquestions:

Daniel Radcliffe on shooting a gay sex scene in Kill Your Darlings

Omg, I’ve just watched the show. It was amazing! :)

dear daniel radcliffe 

pls teach me how to crazy fucking sex kiss pls

I CANNOT WAIT TO SEE KILL YOUR DARLINGS AGAIN.

Such a good movie.

And the gay sex scene in question is really hot, btw.

Source: stupidfuckingquestions

cinyma: 8½, 1963 (dir. Federico Fellini) I’m not a fan of Italian New Wave cinema as a whole (I understand it academically, but its not exactly my favorite thing ever) but I’ve always been a fan of Fellini. This was the first film I saw by him, then La Dolce Vita and Fellini’s Satyriconafterwards. I’ve always been drawn to Fellini because I’ve always loved filmmakers who remind the viewer that they are watching a movie. I understand realistic cinema that blurs the line between fiction and reality, and I don’t necessarily have an issue with it, but sometimes reality needs fantasy, and our imaginations just need an outlet to interact with another imagination. That’s why I’ve always liked filmmakers who blend reality with fantasy (most musicals fall in this category, and filmmakers such as Alfonso Curon, Guillermo Del Toro, Vincente Minnelli  and Bahz Lurhman fit this bill) because I think it jogs our imaginations and subconsciousness to have our reality jarred. 8 1/2 had such an impact on my imagination that I can honestly say that it changed my life. Creatives generally don’t talk about how isolating it is when they don’t have ideas, or when they’re so burnt out on working that they are just empty. And I feel like Fellini made this to connect with anyone else who’s felt that, to reach out in his isolation.  Anyways, I really like this movie.
Zoom Info
cinyma: 8½, 1963 (dir. Federico Fellini) I’m not a fan of Italian New Wave cinema as a whole (I understand it academically, but its not exactly my favorite thing ever) but I’ve always been a fan of Fellini. This was the first film I saw by him, then La Dolce Vita and Fellini’s Satyriconafterwards. I’ve always been drawn to Fellini because I’ve always loved filmmakers who remind the viewer that they are watching a movie. I understand realistic cinema that blurs the line between fiction and reality, and I don’t necessarily have an issue with it, but sometimes reality needs fantasy, and our imaginations just need an outlet to interact with another imagination. That’s why I’ve always liked filmmakers who blend reality with fantasy (most musicals fall in this category, and filmmakers such as Alfonso Curon, Guillermo Del Toro, Vincente Minnelli  and Bahz Lurhman fit this bill) because I think it jogs our imaginations and subconsciousness to have our reality jarred. 8 1/2 had such an impact on my imagination that I can honestly say that it changed my life. Creatives generally don’t talk about how isolating it is when they don’t have ideas, or when they’re so burnt out on working that they are just empty. And I feel like Fellini made this to connect with anyone else who’s felt that, to reach out in his isolation.  Anyways, I really like this movie.
Zoom Info

cinyma:

8½, 1963 (dir. Federico Fellini)

I’m not a fan of Italian New Wave cinema as a whole (I understand it academically, but its not exactly my favorite thing ever) but I’ve always been a fan of Fellini. This was the first film I saw by him, then La Dolce Vita and Fellini’s Satyriconafterwards. I’ve always been drawn to Fellini because I’ve always loved filmmakers who remind the viewer that they are watching a movie. I understand realistic cinema that blurs the line between fiction and reality, and I don’t necessarily have an issue with it, but sometimes reality needs fantasy, and our imaginations just need an outlet to interact with another imagination. That’s why I’ve always liked filmmakers who blend reality with fantasy (most musicals fall in this category, and filmmakers such as Alfonso Curon, Guillermo Del Toro, Vincente Minnelli  and Bahz Lurhman fit this bill) because I think it jogs our imaginations and subconsciousness to have our reality jarred.

8 1/2 had such an impact on my imagination that I can honestly say that it changed my life. Creatives generally don’t talk about how isolating it is when they don’t have ideas, or when they’re so burnt out on working that they are just empty. And I feel like Fellini made this to connect with anyone else who’s felt that, to reach out in his isolation. 

Anyways, I really like this movie.

(via jiwoonkim)

Source: cinyma